More than seven years after Nipsey Hussle’s death, his estate is proving that ownership can keep an artist’s vision — and business — moving long after the music stops.

The late rapper’s estate partnered with automated retail company VenHub to sell physical copies of his first posthumous album, “PROLIFIC,” through a customized vending machine inside Los Angeles Union Station.
According to NBC Los Angeles, the limited-time installation stocked CDs, vinyl records and cassettes.
Rather than simply uploading the album and waiting for listeners to press play on a digital service platform, the estate created an experience around its release. Fans could walk into a Los Angeles landmark and leave with a collectible tied to one of the city’s most influential artists.
“PROLIFIC,” a collaborative album with Los Angeles singer and rapper Bino Rideaux, arrived on streaming platforms on Aug. 14, one day before Hussle would have turned 41.
The 15-track project was recorded in 2017, roughly two years before his death. It is not a collection of unfinished vocals stitched together by outsiders. Hussle and Rideaux reportedly completed the music, sequencing and artwork themselves.
That distinction carries weight. Posthumous albums can spark questions about whether an artist wanted certain material released. Here, Nipsey’s brother, Samiel “Blacc Sam” Asghedom, has made clear that Hussle helped build the album from beginning to end.
“He was excited. It’s something that him and Bino did 100% together, sequenced it, even the artwork, so everything, man,” Blacc Sam said. “We just happy to be able to put another body of work out that he 100% was involved with.”
The album includes previously released singles “Reckless” and “Sacrifices,” along with “I Just Wanna Know,” featuring Cardi B and Ty Dolla $ign. The latter gives the project a major commercial bridge. It pairs Hussle and Rideaux’s Los Angeles chemistry with two nationally recognized stars who can introduce the album to broader audiences.
Other guests include Leon Thomas, James Fauntleroy, Buddy, Static Major and BH. Several members of the production and engineering team behind Hussle’s 2018 album, “Victory Lap,” also worked on the project. That continuity helps “PROLIFIC” sound like a preserved chapter of his career instead of a posthumous imitation.
“Victory Lap” was Hussle’s long-awaited studio debut after years of independent mixtapes and unconventional sales strategies.
It earned a Grammy nomination for Best Rap Album and completed his transformation from independent hometown favorite to mainstream force. “PROLIFIC” now feels like an extension of that last victory, delivering music from the same creative period without manufacturing a version of Hussle that never existed.
Blacc Sam’s leadership has been central to protecting that authenticity. As administrator of his brother’s estate, he has overseen Nipsey’s intellectual property, business interests, and Marathon brand. His role extends beyond releasing music.
He must determine when archived material should be made public, how it should be marketed, and whether each project meets the standards Nipsey established.
That stewardship also directly affects Hussle’s children, Emani Asghedom and Kross Asghedom. In July, a California judge approved the final distribution of an estate valued at approximately $11 million, ending more than seven years of probate proceedings.
The assets were divided equally between the children, although their individual distributions were not disclosed.
Hussle was 33 when he was fatally shot outside his Marathon Clothing store in South Los Angeles on March 31, 2019. He died without a will, making Blacc Sam’s management crucial to protecting the businesses, recordings, trademarks and licensing interests that would ultimately pass to Emani and Kross.
The vending machine may look like a clever album promotion, but it represents something much bigger. Every physical sale adds value to an estate now owned by Hussle’s children. It also delivers the lesson Nipsey spent his career teaching: Creative work becomes generational wealth when ownership remains with the family.
The marathon did not end. Under Blacc Sam’s direction, it became a family enterprise.